午夜剧场

There is a theory that in modern society, the influence of religion gradually declines, and scientific worldviews and secular values become dominant (secularization theory). In fact, in contemporary Japan, those who are actively involved in specific religious organizations are a minority, and few people make choices in their daily lives or life paths based on religious teachings.

On the other hand, if one asks whether the relationship between the Japanese people and religious matters is simply weakening, that does not surprisingly seem to be the case. The high popularity of Buddhist statues during the Heisei era is perhaps the most prominent example. Buddhist statues were originally created to convey the teachings and ideals of Buddhism through sculpture. They are clearly a type of religious object.

That said, most people who like Buddhist statues are likely not seeking something religious. The majority of people probably interact with Buddhist statues as works of art or historically valuable entities, or to deepen their education or enjoy them as a hobby.

Why are Buddhist statues, which are originally religious objects, loved by many Japanese people today regardless of religion? Solving this mystery might lead to a re-examination of our way of life and values. This was one of the major motivations for writing this book.

When I actually set out to solve the mystery, I found various elements closely related to Japan's modernization. For example, the concept of "art" and the systems surrounding it.

Japanese people have long been captivated by the magnificence of temple and shrine architecture and have felt beauty in folding screen paintings. However, it was only in the modern era after the Meiji period that these were collectively perceived as "art," taught in schools, and viewed in museums. New customs were formed in our society through the ideology of art imported from the West.

Buddhist statues were also incorporated into this category of art. As a result, they eventually came to be studied and enjoyed independently of religion. Behind the modern popularity of Buddhist statues lies this ideological and social innovation brought about in the modern era.

It is not just art. The spread of photography and the rise of tourism have also completely changed our relationship with Buddhist statues. In my book, I examine these realities from multiple perspectives and reconsider what Japan's modernity was.

Toshihiro Omi (Author)

Chuko Shinsho

272 pages, 860 yen (excluding tax)

*Affiliations and titles are those at the time of publication.