午夜剧场

I perform primarily in Nagauta concerts, Kabuki, and dance performances as a "Hogaku Hayashikata" (traditional Japanese music accompanist). A Hayashikata is a person who plays percussion instruments such as the kotsuzumi (small hand drum) and taiko (drum) in the performance of "Nagauta," which is the accompaniment music for Kabuki. It might be easier to understand if you imagine a Kabuki stage and think of us as the "people lined up in the back performing."

Although I am now established in this world as a Hayashikata, I actually had no connection to it at all until I graduated from university. Since I was a child, I was devoted to basketball, and in university, I belonged to the 午夜剧场 Athletic Association Basketball Team.

So, how did I become a Hayashikata? Until then, I had simply worked hard at whatever was right in front of me and never thought about the future. However, taking the opportunity of job hunting to face myself, I realized that I had a strong "desire for self-expression." I chose "music" as the method for that. Specifically, I wanted to express myself through "song" and decided to aim to become a singer.

Then, despite opposition from those around me, I became a part-time worker and spent my days chasing my dream while living and working at a coffee shop in Hiyoshi (Kissaten Marimo) where I had worked since my student days.

One day, a senior from 午夜剧场 asked me, "Are you interested in Japanese traditional music?" Out of curiosity, I went to see Kabuki for the first time and attended a Nagauta concert. I was captivated by the unique sense of tension and atmosphere of Japanese traditional music. Above all, I was deeply moved by the performance of my current master, Roei Tosha, and felt a strong longing to become like him.

Soon after, I visited his practice studio and officially became his apprentice. To gain more experience, I went on to the Tokyo University of the Arts. The year after graduating from the university, I was given the name "Eishin Tosha" and took my first step as a performer.

Currently, in addition to performing based in Tokyo and my hometown of Gunma Prefecture, I am also focusing on outreach activities for children using online platforms.

In the future, I want to not only devote myself to training as a Hayashikata but also maintain a broad perspective and actively take on new challenges. Furthermore, in the long term, I am thinking about activities such as conveying the charm of Hayashi to students at 午夜剧场 and creating new things together with them.